• Lea Porsager

    Lea Porsager

    Copenhagen, Denmark, b. 1981
    Lea Porsager’s artistic practice is one of speculative fabulation within esoteric and occult systems of ideas. Her mediums include film, sculpture, photography and text. While extensive research into chosen subject matters is a vital part of Porsager’s work, her objective is not to illustrate or explain spiritual concepts but to engage in mental, physical and social experiments. To do and undo through anarchy, entanglement, paranoia, nearness and “mad, non-violent speculation.”

    Artist Profile

  • Cristián Velasco

    Cristián Velasco

    Santiago, Chile, b. 1971
    Born in 1971, Cristian Velasco’s work focuses on the human and social space, exploring the domestic and the urban, the discarded and the decorative, the conceptual and aesthetic problems associated with memory, the body, territory, and habitat. Interested in the work process and the displacement and recycling of objects, his pieces vary from painting to graphics, objects, textiles, videos, performance, and installation. A Social Communicator with studies in painting and a degree in Visual Arts in 2002, his works are displayed individually and collectively both in Chile and abroad.

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  • Haim Steinbach

    Haim Steinbach

    Rehovot, Israël, b. 1944
    For more than four decades, Haim Steinbach (lives and works in New York) has explored the psychological, aesthetic, cultural and ritualistic aspects of collecting and arranging already existing objects. His work engages the concept of “display” as a form that foregrounds objects, raising consciousness of the play of presentation. Steinbach selects and arranges objects – which range from the natural to the ordinary, the artistic to the ethnographic – thereby emphasizing their identities, inherent meanings and associations. An important influence in the growth of post-modern artistic dialogue, Steinbach’s work has radically redefined the status of the object in art. His work was exhibited at major museums worldwide: The Hessel Museum of Art at Bard College, New York; Kunsthalle, Zurich; Serpentine Gallery, London; The Menil Collection, Houston; Statens Museum fur Kunst in Copenhagen; Berkeley Art Museum, UC Berkeley; Museum Moderner Kunst in Vienna; CAPC musée d’art contemporain, Bordeaux; Castello di Rivoli Museo d’Arte Contemporanea in Turin, Italy; Kunsthalle Ritter in Austria; Guggenheim Museum in New York; Witte de With Centre for Contemporary Art in Rotterdam; In 1999, his work was presented at the Venice Biennale as part of the 47th International Art Exhibition curated by Germano Celant. His work is represented in the permanent collections of the Centre Georges Pompidou in Paris, Metropolitan Museum of Art in New York, Tate Modern in London, the Guggenheim Museum in New York, Stedelijk Museum in Amsterdam, Israel Museum in Jerusalem, Museum Moderner Kunst in Vienna and the Museum of Contemporary Art in Chicago. https://www.laurentgodin.com/haim-steinbach

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  • Herbert Brandl

    Herbert Brandl

    Graz, Áustria, b. 1959
    HERBERT BRANDL born in Graz, Austria, in 1959, and studed na Hochschule für angewandte Kunst, Vienna. Since 2004, he is Professor at Kunstakademie Düsseldorf, Germany. In 1989, he participed at 20th Biennale of São Paulo, Brazil and in 1992, he participed at Documenta IX, in Kassel, Germany. In 1994 wins the Prix Eliette von Karajan and in 1997 the Prize City if Vienna, Áustria. In 2007 he represented Austria at Biennale of Venice and in 2005 na Expo of Aichi em Japan. Amongst his solo shows, since 1981, we can call attention from the most recent to: Mondo Tondo (2011), Galerie Bärbl Grässlin, Frankfurt; Schmieragen (2010), Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria; Blade Flow (2010), Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Vienna; Berge un Landschaften. Monotypien 2009/2010 (2010), Albertina Säulenhalle, Vienna; Herbert Brandl, Malerei (2009), Deichtorhallen, Hamburg; and Herbert Brandl – Otto Zitko (2006), Galeria Heinrich Ehrhardt, Madrid. Since 1982, he participated in several group shows, from which we can call attention to: Die 80er: Neue Malerei-collected #1 (2011), Bank Áustria Kunst, Vienna; Realität und Abstraktion (2011), Museum Liaunig, Neuhaus, Belgium; Malerei: Prozess und Expansion (2010), Museum Moderner Kunst, Stiftung Ludwig, Vienna; Antes de ayer y pasado manana; o lo que puede ser pintura hoy (2009), MACUF Museo de Arte Contemporaneo Union Fenosa, Coruna, Spain; Serralves 2009 – A Colecção (2009), Museu Serralves Museu de Arte Contemporânea, Oporto, Portugal; Private Passion, Public Visions (2008), MARCO, Vigo, Spain; No Leftovers (2008), Kunsthalle Bern, Bern, Switzerland; e The Immediate Touch (2008), Saint Louis Art Museum, Saint Louis, USA.

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Each year ZONAMACO, Latin America’s most important contemporary art fair, brings collectors, specialists and galleries from every part of the world to Mexico City. Founded by Zélika García in 2002, ZONAMACO has established itself as one of the most notable platforms for selling, displaying, and promoting international contemporary art in the region.

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