• Teresa Serrano

    Teresa Serrano

    Mexico City, Mexico, b. 1936
    Teresa Serrano (Mexico City, 1936-) Lives and works in New York and Mexico City. 2015  Teresa Serrano, Museo Amparo, Puebla México 2014 Albur de Amor, Museo Artium, Vitoria-Gasteiz, País Vasco, España 2013 Desenlace: Teresa Serrano y Miguel Angel Rios, Oi Futuro, Flamengo, Rio de Janeiro, Brasil 2012 Albur de Amor, Centro Atlantico de Arte Moderno CAAM, Las Palmas de Gran Canaria, España 2010 Sin llegar a Ser Palabra, EDS GALERIA, Mexico City

    Artist Profile

  • Moris (Israel Meza Moreno)

    Moris (Israel Meza Moreno)

    Mexico City, Mexico, b. 1978
    His work revolves around themes that address representation, social and subjective agency, urban issues and marginal cultures often taken for granted in mainstream society. Informed by constant field work, the issues Moris’ researches have been an intrinsic part of his daily life since childhood, and pertinent to both his personal and professional formation. The street and social space in general are his laboratory for investigating issues, gathering data, analyzing visual cultures, and vernacular aesthetics. Observing, integrating, and learning the diverse social codes of the urban underclass and underworld; their spoken dialects and semiotics; their strategies for survival; and informal use of aesthetics in their environments in order to make daily life more humane and dignified are the driving ethos for Moris’ work. His work is part of many important public and private collections worldwide including the Museum of Modern Art (MoMA), New York City, Museum of Contemporary Art (MoCA), Los Angeles, La Colección Jumex, Mexico City, and FEMSA Collection, Monterrey Mexico. Major exhibitions include “Mi casa es tu casa”, Los Angeles Nomadic Division (LAND), MOCA Geffen Contemporary, Los Angeles, CA.; “Un animal pierde la vida porque otro tiene hambre (An animal dies because another is hungry)”, Museo Experimental El Eco, Mexico City, Mexico and has been a representative at the 9th Havana Biennale, Havana, Cuba and the 30th São Paulo Biennial, São Paulo, Brazil in 2012.

    Artist Profile

  • Pilar Albarracín

    Pilar Albarracín

    Sevilla, España, b. 1968

    www.pilaralbarracin.com

    1968 Nace en Sevilla

    1993 Licenciatura en Bellas Artes, Universidad de Sevilla. Sevilla

    Actualmente vive y trabaja entre Sevilla y Madrid

    Exposiciones individuales

    2015 Coreografías para la salvación. 2e Biennale d’art flamenco, Théâtre National de Chaillot, París

    La calle del infierno, Galerie Georges – Philippe & Nathalie Vallois, París

    2014 Muro de geranios, Musée en Herbe, París

    El nuevo mundo, Galería Javier López, Madrid

    La Rue des pas perdus, Centre de photographie de Lectoure, Lectoure; comisario François Saint Pierre

    Asnería, Musée national Pablo Picasso La Guerre et la Paix. Musées nationaux du XX° siècle des Alpes – Maritimes, Vallauris; comisarios Maurice Frechuret y Sarah Ligner

    2013 Vitrines sur L’Art, Marseille & Création MUCEM, Marsella

    2012 Le duende volé, XXIV Festival Arte Flamenco, Musée Despiau – Wlérick et Dubalen, Mont – de – Marsan

    L’Origine du nouveau monde, Galerie Georges – Philippe & Nathalie Vallois, París

    2011 She Dances Alone: Pilar Albarracín in Musical Dancing Spanish Dolls, New World Museum

    Houston, Texas; comisaria Elena Sachetti

    Centre d’art contemporain Raymond Farbos, Mont – de – Marsans

    Coreografías para la salvación, La Conservera – Centro de Arte Contemporáneo, Ceutí (Murcia)

    2010 Recuerdos de España, Instituto Cervantes de Tokio; comisaria María José Balcells

    Fabulations, Les Moulins – Centre d’art le LAIT, Albi; comisaria Jackie – Ruth Meyer

    2008 Mortal cadencia, La maison rouge – Fondation Antoine de Galbert, París; comisaria Paula Aisenberg

    2004 Reales Atarazanas de Sevilla; comisaria Rosa Martínez

    2002 Buscando a Herr Traumerreger, Sala Montcada – Fundació “la Caixa”, Barcelona; comisarias María José Balcells y Pepa Palomar

    Exposiciones colectivas

    2015 Nada temas, dice ella. Cuando el arte revela verdades místicas, Museo Nacional de Escultura, Valladolid; comisaria Rosa Martínez

    Rêves éveillés, TAP Théâtre Auditorium de Poitiers, Miroir hors les murs, Poitiers; comisario Yannick Miloux

    La vida es esto. Narrativas de progreso, libertad y auto-realización en el capitalismo de hoy, DA2 Domus Artium 2002, Salamanca; comisario Paco Barragán

    Another Part of the New World, Moscow Museum of Modern Art, Moscú; comisarios Ferrán Barenblit y Elena Yaichnikova

    À l’ombre d’Éros – L’amour, la mort, la vie!, Monastère Royal de Brou, Bourg – en – Bresse; comisarias Marie Deparis – Yafil y Magali Briat – Philippe

    Accrochage 3. Pop & Musique / Sound, Fondation Louis Vuitton, París

    El presente en el pasado, CAAC – Centro Andaluz de Arte Contemporáneo, Sevilla; comisarios Juan Antonio Álvarez Reyes y Yolanda Torrubia

    Éros cést la vie, Galería Javier López, Madrid; comisarios Miguel Cereceda, Sofía Fernández y Arturo Prins

    No ver, no oir y callar. 1990 – 2015, CAAC – Centro Andaluz de Arte Contemporáneo, Sevilla; comisarios Juan Antonio Álvarez Reyes y Yolanda Torrubia

    Femina ou la réappropriation des modèles, Pavillon Vendôme – Centre d’art Contemporain, Clichy; comisarios Charlotte Boudon, Guillaume Lasserre y Christine Ollier

    2014 Dancing Light / Let it move you…, Huis Marseille Museum for Photography, Ámsterdam; comisaria Nanda van den Berg

    Inhabiting the World, Busan Biennale, Corea del Sur; comisario Olivier Kaeppelin

    Portrait de 3/4, Galerie Georges – Philippe & Nathalie Vallois, París; comisario Alain Bublex

    Metrópolis. 30 años en vanguardia (1985 – 2014), Fundación Canal, Madrid

    Arte Video night #6, Palais de Tokyo, París

    Neighbours II, CAC Málaga – Centro de Arte Contemporáneo, Málaga; comisario Fernando Francés

    El desarreglo. El curioso caso del arte despeinado, ARTIUM – Centro-Museo Vasco de Arte Contemporáneo, Vitoria – Gasteiz; comisario Daniel Castillejo

    Colección IX. Colección Fundación ARCO, CA2M Centro de Arte Dos de Mayo, Móstoles, Madrid; comisarios Estrella de Diego y Ferrán Barenblit

    L’art fait ventre, L’Adresse – Musée de la poste, París

    Colonia Apócrifa, MUSAC – Museo de Arte Contemporáneo de Castilla y León, León; comisario Juan Guardiola

    Ellas Bailan Solas, CCEBA – Centro Cultural de España en Buenos Aires; comisaria Cristina Civale

    Fin de Fiesta en Sevilla, MIAM – Musée International des Arts Modestes, Sète; comisario Curro González

    Water Event. Yoko Ono, Schrin Kunsthalle Frankurt; Guggenheim Museum Bilbao; Louisiana Museum, Humlebaek, Dinamarca; Kunsthalle, Krems, Austria

    Lo real maravilloso. La colección MUSAC en el año dual España – Japón, Museum of Contemporary Art Tokyo; comisarias Kristine Guzmán, Yuko Hasegawa y Hikari Odaka

    2013 Itinerarios de una Colección, Casino de la Exposición, Sevilla; comisaria Lorena del Corral

    Reproductibilitat 1.1, Es Baluard Museu d’Art Modern i Contemporani de Palma, Palma de Mallorca; comisaria Nekane Aramburu

    Lo real maravilloso. La colección MUSAC en el año dual España – Japón, MUSAC Museo de Arte Contemporáneo de Castilla y León, León; MOT Museum of Contemporary Art Tokyo, Tokio; comisarias Kristine Guzmán, Yuko Hasegawa y Hikari Odaka

    Au Bazar du genre, MuCEM Musee de civilisations pour l’Europe et la Méditerranée, Marsella; comisario Denis Chevallier

    Principios Activos, DA2 – Domus Artium 2002, Salamanca; comisaria Lorena del Corral

    La Distance Juste, Galerie Georges – Philippe & Nathalie Vallois, París; comisaria Albertine de Galbert

    Arte de comportamiento e imágenes sociales del cuerpo, CAAC – Centro Andaluz de Arte Contemporáneo, Sevilla; comisarios Juan Antonio Álvarez Reyes y Yolanda Torrubia

    On Dithering: Motives of Suspension, Suture and Digression, Württembergsicher Kunstverein Stuttgart; comisarios Iris Dressler y Hans D. Christ

    Eating the animal, “Grand T” theatre, Nantes; comisarios Claude d’Anthenaise y Raphaël Abrille

    Home Works Forum 2013, Home Workspace/ Ashkal Alwan, Beirut; comisarios Christine Tohme y Tarek Abou El Fetouh

    Mon île de Montmajour, CIRVA Centre international de recherche sur le verre et les arts plastiques, Abbaye de Montmajour, Arlés; comisario Christian Lacroix

    L’Arte è un romanzo. La straordinaria storia delle parole che diventano immagini, Museo Di Palazzo Della Penna, Perugia; comisario Luca Beatrice

    The Desire for Freedom. European Art since 1945, Palazzo Reale, Milán; Eesti Kunstimuuseum – Kumu Kunstimuuseum, Tallinn, Estonia; MOCAK Muzeum Sztuki Wspólczesnej, Cracovia; comisarios Monika Flacke, Henry Meyric Hughes y Ulrike Schmiegelt

    Bodies of Silence #3. When Words are Made Flesh, CUNTemporary Platform, Netil House, Londres; comisaria Giulia Casalini

    2012 The Hidden Mother, Atelier Berthe Morisot, París; comisaria Sinziana Ravini

    The Desire for Freedom. European Art since 1945, Deutsches Historisches Museum, Berlín; comisarios Monika Flacke, Henry Meyric Hughes y Ulrike Schmiegelt

    De paso en la tierra / De passage sur la Terre, Institut Français, Madrid; CICUS Centro de Iniciativas Culturales de la Universidad de Sevilla; comisarios Françoise Adamsbaum y William Jeffet

    Genealogías feministas en el arte español: 1960 – 2010, MUSAC Museo de Arte Contemporáneo de Castilla y León, León; comisarios Juan Vicente Aliaga y Patricia Mayayo

    Tiempo de urgencias, ARTIUM Centro – Museo Vasco de Arte Contemporáneo, Vitoria – Gasteiz; comisaria Blanca de la Torre

    Supertemporal. International Video Art Today, Kulturhuset, Estocolmo; comisarios Estelle af Malmborg y Paul Young

    2011 Inner Piece: Works from the Collection of Heather and Tony Podesta, American University Museum at the Katzen Arts Center, Washington

    Safari, Le Lieu Unique, Nantes; comisario Patrice Joly

    Inspiration Dior, The Pushkin State Museum of Fine Arts, Moscú; comisarios Florence Muller y Jacques Ranc

    Video(S)torias, ARTIUM Centro – Museo Vasco de Arte Contemporáneo, Vitoria – Gasteiz; comisarias Blanca de la Torre e Imma Prieto

    Femme objet, Femme sujet, cac Abbaye Saint André Centre d’art contemporain, Meymac; comisarios Caroline Bissière y Jean – Paul Blanchet con Eglantine Bélêtre

    Tous Cannibales, La maison rouge – Fondation Antoine de Galbert, París; comisaria Jeannette Zwingenberger

    Alles Kannibalen?, Me Collectors Room / Stiftung Olbricht, Berlín

    2010 La fuerza de la palabra, Instituto Cultural Cabañas, Guadalajara, México; comisarios Agustín Pérez Rubio y María Inés Rodríguez

    Corpus, National centre for contemporary arts, Moscú; comisaria Karina Karaeva

    Nosotras, CAAC – Centro Andaluz de Arte Contemporáneo, Sevilla; comisarios Juan Antonio Álvarez Reyes y Luisa López

    Menos tiempo que lugar, El mARTadero, Cochabamba, Bolivia; comisarios Alfons Hug y Cecilia Bayá

    Mi Movida, Maison Folie de Wazemmes, Lille; comisarios Iván Álvarez Álvarez y Laura Mainer Til

    All creatures great and small, Zacheta National Gallery of Art, Varsovia; comisarias Maria Brewinska y Anna Tomczak

    She is a femme fatale, CCB – Museu Colecção Berardo, Lisboa; comisarios Jean – François Chougnet, Ana Brito y Hugo Barata

    2009 Corpos Estranhos, Museu de Arte Contemporânea da Universidade de São Paulo. Memorial da América Latina, São Paulo; comisarias Claudia Fazzolari y Lisbeth Rebollo Gonçalves

    Autres mesures, Centre Photographique d’Île de France, París; comisaria Cecile Bourne

    Transmission Interrupted, Modern Art Oxford; comisarias Suzanne Cotter y Gilane Tawadros

    The Tropics. Views from the middle of the globe, South African National Gallery – Iziko Museums, Ciudad del Cabo; comisario Alfons Hug

    Berliner Festspiele, Martin – Gropius – Bau, Berlín

    2008 The Discreet Charm of Technology. Arts in Spain, ZKM Museum für Neue Kunst, Karlsruhe; El discreto encanto de la tecnología. Artes en España, MEIAC Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz; comisarios Claudia Giannetti, Peter Weibel y Antonio Franco

    Partilhar Territórios, V Bienal de Arte e Cultura de São Tomé e Príncipe, Santo Tomé; comisaria Adelaide Ginga

    Notkea Katu – Yksin, yhdessä / Fluid street – Alone, together, Nykytaiteen Museo Miasma, Helsinki; comisaria Maaretta Jaukkuri

    ¡Viva la muerte! Cuatricomía de la muerte, CAAM – Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria; comisarios Gerald Matt, Thomas Mießgang y Álvaro Rodríguez Fominaya

    Disorderly Conduct: Recent Art in Tumultuous Times, Orange County Museum of Art, Newport Beach, California; comisaria Karen Moss

    La mirada iracunda, Centro Cultural Montehermoso, Victoria – Gastaiz; comisarios Xabier Arakistain y Maura Reilly

    2007 Going Staying. Movement, Body, Place in Contemporary Art, Kunstmuseum Bonn, Bonn; comisario Volker Adolphs

    bodycity, Dublín; comisarios Nigel Rolfe, Cliodhna Shaffrey y Shelagh Morris

    Passioni minime, Festival di Ravello. Villa Rufolo, Ravello; comisario Achille Bonito Oliva y Irma Arestizabal

    Global Feminisms, Brooklyn Museum, Nueva York; comisarias Linda Nochlin, Maura Reilly y Lila Acheson Wallace

    I Am Making Art: Four Studies about the Artist´s Body, Centre d’Art Contemporain Genève, Ginebra; comisarias Katya García – Antón y Clare Manchester

    2006 Voices of Silence, Herzliya Museum of Contemporary Art, Herzliyya, Israel; comisaria Dalia Levin

    Cieplo/zimno? Letnia milosc / ¿Calor/frío? Amor templado, Galeria Sztuki Wspólczesnej Zacheta, Varsovia; comisaria María Brewínska

    Mirador 06. Medienkunst aus Spanien, OK Offenes Kulturhaus Oberösterreich, Linz; comisarios Genoveva Rückert y Martin Sturm

    2005 Umetnost Koja Radi / Art that Works / Catch me!, 46 Oktobarski Salon / October Salon, Belgrado, Serbia y Montenegro; comisarios Darka Radosavljevic y Nebojša Vilic

    Çekim Merkezi / Centre of Gravity, Istanbul Modern Sanat Müzesi, Estambul; comisaria Rosa Martínez

    Here Comes the Sun, Magasin 3 Stockholm Konsthall, Estocolmo; comisarios Rosa Martínez, Daniel Birnbaum, Jerôme Sans y Sarit Shapira

    Sempre un po’ più lontano, 51 Esposizione Internazionale d’Arte. Biennale di Venecia, Arsenale, Venecia; comisaria Rosa Martínez

    Dialectis of Hope, I Moscow Biennale of Contemporary Art, Moscú; comisarios Joseph Backstein, Iara Boubnova, Nicolas Bourriaud, Daniel Birnbaum, Rosa Martínez y Hans Ulrich Obrist

    2004 La alegría de mis sueños, BIACS 1 – I Bienal Internacional de Arte Contemporáneo de Sevilla. Monasterio de la Cartuja de Santa María de las Cuevas, Sevilla; comisario Harald Szeemann

    Brainstorming, topographie de la morale, Centre International d’Art et du Paysage, Île de Vassivière; comisario Guy Tortosa

    2003 El The Real Royal Trip, MoMA PS1, Nueva York; comisario Harald Szeemann

    In Progress, 56 Festival Internazionale del Film di Locarno, comisario Harald Szeemann

    Europe Exists, Macedonian Museum of Contemporary Art, Salónica; comisarios Rosa Martínez y Harald Szeemann

    Monocanal: Spanish Video 1996 – 2002, MNCARS – Museo Nacional Centro de Arte Reina Sofía, Madrid; comisarios Juan Antonio Álvarez Reyes, Neus Miró y Berta Sichel

    2002 Argent et valeur – le dernier tabou, Expo 02 Banque Nationale Suisse, Biel; comisario Harald Szeemann

    Big Sur – Neue Spanische Kunst / Arte nuevo español, Hamburger Bahnhof – Museum für Gegenwart, Berlín; organizada por MNCARS, comisario Enrique Juncosa

    2001 Cartes blanches, 9ème Biennale de l’Image en Mouvement. Centre pour l’image contemporaine. Saint – Gervais Genève, Ginebra; comisarios Jeorg Bader y Jorge Bravo

    1996 Érase una vez… del minimal al cabaret. De los 70 a los 90, Teatro Central, Sevilla; comisaria Mar Villaespesa

    1993 100%, Museo de Arte Contemporáneo, Sevilla; comisaria Mar Villaespesa

    Colecciones públicas

    ARTIUM Centro – Museo Vasco de Arte Contemporáneo, Vitoria – Gasteiz

    BPN Banco Portugués de Negocios, Lisboa

    CAC Málaga – Centro de Arte Contemporáneo de Málaga, Málaga

    CAAC – Centro Andaluz Arte Contemporáneo, Sevilla

    Colección ARCO, Madrid

    Colección de Arte Contemporáneo de la Comunidad de Madrid, Madrid

    Colección de Arte del Instituto Andaluz de la Mujer

    Colección MP de Arte Contemporáneo. Fundación Valentín Madariaga, Sevilla

    Colección Premios Altadis de Arte Contemporáneo, España y Francia (actualmente en Logroño)

    Colección Testimonio. Colección de Arte Contemporáneo La Caixa, Barcelona

    Diputación Provincial de Málaga

    Es Baluard Museu d’Art Modern i Contemporani de Palma, Palma de Mallorca

    Fondation Antoine de Galbert, París

    Fondation Louis Vuitton pour la Création, París

    FRAC Fonds regional d’art contemporain Limousin, Limoges

    Fundación Coca – Cola, Madrid

    Fundación NMAC Montenmedio Arte Contemporáneo, Vejer de la Frontera, Cádiz

    Fundación Real Maestranza de Caballería de Sevilla, Sevilla

    Fundación Unicaja, Granada

    Maison Européenne de la Photographie, París

    Mint Museum, Charlotte, Carolina del Norte

    MUSAC Museo de Arte Contemporáneo de Castilla y León, León

    Musée d’Art Moderne de la Ville de Paris, París

    MWW – Muzeum Współczesne Wrocław, Breslavia, Polonia

    Artist Profile

  • Caroline Mousseau

    Caroline Mousseau

    Vancouver, BC, Canada, b. 1989
    Given that painting’s portfolio, regardless of its epic history, has historically always occupied a handful of categories: portraiture, genre (lifestyle), landscape, still-life, and abstract, what is considered innovative and or new for the medium seems nearly impossible. Any discoveries within the medium are often re-discoveries. The contemporary world, with all of its technological advances, fails to find an improvement or substitute for painting. New methods are hardly possible as paint will always be pigment on surface. Caroline Mousseau finds a reason to continue working in a manner that is uniquely her own. The lines are deliberate. The movements are controlled. Her process is unique: by drying out the oil paints and adding wax to the oils, Mousseau is able to achieve an identity that translates to a new perspective anchored by the canvas but clearly yearning for movement beyond the optic surface. The artist aims to embody contradictions. Her lines curve vertically and horizontally, and slightly towards the viewer, as paint spills over the edges of the brush marks. To refer to her works as abstract isn’t accurate enough. Her long controlled strokes are almost arabesque. They are almost lyrical ribbons. They are almost landscapes. The lines are almost patterns, but the patterns always stop, as any repetition is quarantined to a segment of each canvas. Being “almost” several descriptors is essential because this open-ness and “hybrid” quality that Mousseau aims for is the heart of her practice. Her stringent regimen is balanced against possibility. The structure she created was meant to foster even the smallest opportunity to push painting forward. Rules were created in the search of the smallest sliver of freedom. When we are open to many systems, instead of subscribing to only one, we are most alive because we are most sensitive. Mousseau cites inspiration from females masters such as Mary Hielmann, Katherina Grosse, Pia Fries, and Agnes Martin, but the emerging artist also finds influences in painters that change our perceptions and pre-detemined ideas of culture or of painting. Therefore, Odili Donald Odita and El Anatsui are also important. For Mousseau, painting can never lose relevance because it is indifferent to time, technological advances, and geographical differences because all painters submit to paint’s unique properties. Painting is the medium that forces, pulls, and elongates reflection. In a world that is rapidly changing, painting doesn’t. Painting does not yield to a culture of constant stimuli and instantaneous satisfaction. Mousseau knows that painting cannot be rushed. Caroline Mousseau graduated as the valedictorian of Emily Carr University of Art + Design in 2012. She studied at l’École Nationale Supérieure des Beaux-Arts in 2010. Mousseau has exhibited throughout Canada, and in 2014, she was curated in the exhibition 100 Painters of Tomorrow, with an eponymous book launch, in London and New York. The artist was met with strong Canadian support for her solo presentation at Art Toronto 2016. In 2017, Mousseau will participate in her first museum exhibition, ab NEXT: Contemporary Abstraction by Emerging Artists, at the Robert McLaughlin Gallery in Oshawa, Ontario, and she returns to Texas to mount her second solo exhibition with CYDONIA.

    Artist Profile

Each year ZONAMACO, Latin America’s most important contemporary art fair, brings collectors, specialists and galleries from every part of the world to Mexico City. Founded by Zélika García in 2002, ZONAMACO has established itself as one of the most notable platforms for selling, displaying, and promoting international contemporary art in the region.

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